Experimental Music Since 1970 by Jennie Gottschalk
- Experimental Music Since 1970
- Jennie Gottschalk
- Page: 320
- Format: pdf, ePub, mobi, fb2
- ISBN: 9781628922479
- Publisher: Bloomsbury Academic
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What is experimental music today? Recent attempts to define or identify examples of experimental music have been cautious and subjective, offering very little guidance to anyone with an interest in this field of activity. Is experimental music a historical event that refers only to John Cage and his influence, or does it have a greater spread and longevity? The development of this musical practice over the last 45 years merits a fresh definition and discussion. An experimental approach is not identifiable in specific sounds or techniques, and its scope would be drastically limited if it were judged on the basis of social or aesthetic groupings or self-identifications of composers. Experimentation is a way of working. It pushes past that which is known to discover what lies beyond it, finding new knowledge, forms, and relationships, or accepting a state of uncertainty. For each of these composers and sound artists, craft is developed and transformed in response to the questions they bring to their work. Knowledge of scientific, perceptual, social, or linguistic phenomena become catalysts in the pursuit of new sonic possibilities. Musical materials may be subject, among other treatments, to systemization, observation, examination, magnification, fragmentation, translation, or destabilization. These restless and exploratory modes of engagement have proliferated over recent decades, expanding the scope of musical practice.
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“Reading Experimental Music Since 1970 it is impossible not to be dazzled first by the range and imagination of experimental music and sound art that is being made today, and second by the way in which Jennie Gottschalk has described and catalogued so much of it, so lucidly. Impeccably and authoritatively researched, by a writer who is both a
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1) Listening through the Noise: The Aesthetics of Experimental Electronic Music Love Saves the Day: A History of American Dance Music Culture, 1970-1979 Night Train to Nashville: Music City Rhythm & Blues, 1945-1970 The Art of Computer Systems Performance Analysis: Techniques for
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A book such as Experimental Music since 1970 has been long awaited by practitioners and researchers in this area. Publications such as James Saunders's Ashgate Research Companion to Experimental Music (Farnham, 2009), Saunders's and John Lely's Word Events: Perspectives on Verbal Notation (London, 2012), and recent perspectives on individual musicians such as Daphne Oram (An Individual Note of
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